Shout At People

by beekeeper

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craig
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craig an incredibly eclectic collection of wonderful, wonderful math turned into music. Favorite track: Good News.
NessiHolt
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NessiHolt One of a kind band. Give their music a try - listen more than once - and find that it's their unique sound, you fancy, you will learn to love. Favorite track: I Don't Need Hope, I Need Whiskey.
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1.
Bees 00:40
i like it when I see your weird skeleton-walk down the street i wanna pet the mutt that walks just behind you at your feet tell me what you mean did i stuh stuh stutter no you didn’t (yes I did!) i wonder if your boyfriend knows that you saw me play a show i wonder if he knows I wrestled with that pup in your home tell me what you MEAN! if we break up, who will keep the bees? if we break up, who will keep the bees? if we break up, who will keep the bees? who will keep the bees?
2.
It’s the blood you left behind... For the first time, I feel cold Got a lie, I’ve got a secret You could take it all away It seems like body ruled mind Except that mind’s on the same side You could take it all away It’s the blood you left behind. It’s the blood, it’s yours and mine. Safe? (But, when I’m sleeping) But, when you’re sleeping, I can see your structured bone frame (But, when I’m sleeping) But, when you’re sleeping, I can trace the boundaries of this love (But, when I’m sleeping) But, when you’re sleeping, we make sense of the guilt and the yada yada (But, when I’m sleeping) But, when you’re sleeping, we are like two birds in a nest
3.
I don’t need hope, I need whiskey, I need palliative care. It’s freezing, it’s boiling, I need grounding, I need... air. oh. yeah. baby. And when you said to me, “you’ll never write a simple song that I can understand”... well, baby, you were wrong about that. *Insane feedback* So what if I sing to you, without using imagery, that baby, I’m into you, and I want you back? *So what if you sing to me without using imagery? Baby, I’m into you, and I want you back.* I want you, I want you beaayyyaaarughhck
4.
Oh, Hi! 02:39
cut my nails a little every day caution: one can never be too safe he wrote several chapters in your life i think i’m gonna scratch his goddamned eyes out your last lover you say, “it’s ok, he means nothing” but i’ve seen the way your ears turn red when he walks by i just might kill your last lover and then she smiles at me, and says “oh hi! there’s no need to be mad, no! he made me who i am! he made me run to you and say oh hi!” hmm... in a funny way, i’m in debt to him i will do him a favour: i will cut my nails.
5.
Good News 02:48
i know that you like me, cos you won’t smoke cigarettes around me good news is: i like you too! i know that i like you, cos i’m drinking whiskey in the bathroom but you’re gonna taste it on my breath... if i play my cards right i know that you like me, cos you think i wrote a song about you but i write a song for everyone yeah! i know that i like you baby, do you really like me baby? *i have got good news, have you got good news?* the best news! i know that you like it when i bring you coffee in the morning but you hate it when i bring you tea.

credits

released January 26, 2013

beekeeper is Devon Lougheed, Luke Cyca, and Brandi Sidoryk.

Produced by Devon Lougheed.
Recorded by Adam Greenholtz at The Warehouse Studio and Blue Light Studio.
Mixed by Josh Bowman.
Mastered by Greg Mindorff at Suite Sound Labs.
Additional production by Adam Greenholtz and Josh Bowman. Additional musicians on track 4 are Matt Kelly (pedal steel and kazoo), Adam Greenholtz (violin and kazoo), and Jim Hopson (trombone). Cover drawing by Gina MacKay.

(c) 2013 Devon Lougheed (SOCAN).
(p) 2013 Devon Lougheed & Luke Cyca.
All rights reserved. Made in Canada.

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beekeeper Vancouver, British Columbia

beekeeper is an indie post-pop power trio from Vancouver. We play danceable, singable, thinkable tunes. We meld dissonance and odd time signatures with beautiful pop hooks and male/female three-part harmonies. Our live show is quirky, unpredictable, and musically satisfying. It is not rare for our sets to end with the entire audience on stage. ... more

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